Movies & TV
10 Women-Directed Films To Watch At TIFF 2024
Give women behind the camera their flowers already!
by : Allie Turner- Aug 29th, 2024
Toronto International Film Festival
The time has come. It’s Toronto International Film Festival season once again. And with it, we have an opportunity to partake in even more of our favourite things: watching and talking about women-directed movies. And, believe us, TIFF 2024 will be providing us with plenty of fodder.
The “directed by women” category of the TIFF 2024 schedule includes 76 features, documentaries and presentations by women during the festival’s 11-day run (from September 5 to 15). Many of which are incisive high-profile works that dissect multiple aspects of human experience.
There’s Andrea Arnold, who tackles girlhood in Bird, the story of a lonely but imaginative 12-year-old girl transitioning from childhood to adolescence that stars young newcomer Nykiya Adams and Barry Keoghan. There’s also writer-director Halina Reijn’s follow-up to Bodies, Bodies, Bodies, the erotic drama Babygirl starring Nicole Kidman, Harris Dickinson and Antonio Banderas. Plus Angelina Jolie is back behind the camera with Without Blood, which stars Salma Hayek Pinault at explores the impact of war and violence on families.
And that’s just to name a few. To make the (triumphantly) long list of women directed films more manageable, we’ve rounded up 10 of the buzziest titles directed by women to catch at TIFF 2024.
"Nightbitch" (Marielle Heller)
Amy Adams and filmmaker Marielle Heller (Can You Ever Forgive Me?) bring the acclaimed 2021 novel Nightbitch to life in this film about an overworked stay-at-home mom who can’t keep her emotions bottled up any longer. She starts to unravel as sees and hears things in the night that call to her. Oh, and she thinks she’s turning into a dog.
"The Last Showgirl" (Gia Coppola)
Pamela Anderson returns to the big screen as an aging dancer forced to re-examine her life when the club she has worked at for 30 years announces its closing down in The Last Showgirl. Jamie Lee Curtis and Dave Bautista round out the cast of the film, which is directed by Gia Coppola (Palo Alto) of the Coppola family dynasty.
"Can I Get A Witness?" (Ann Marie Fleming)
Born in Okinawa and based in Vancouver, director Ann Marie Fleming blends live-action and animation filmmaking in Can I Get a Witness? The genre-bender creates a painfully relevant picture of a dystopian near future where technology and travel are banned with few exceptions and nobody is allowed to live past 50. Sandra Oh (who has previously worked with Fleming on 2016 animated film Window Horses) and Keira Jang play mother and daughter navigating what it takes to maintain life on this version of earth.
"Village Keeper" (Karen Chapman)
Toronto-based filmmaker Karen Chapman makes her dramatic feature debut with Village Keeper, the emotional story of a single-mother contending with her grief in the wake of her husband’s murder and the unusual coping mechanism that arises. Without giving too much away, it’s a film about community, service and catharsis.
"The Substance" (Coralie Fargeat)
Demi Moore plays a washed up actress turned TV-work out personality desperate to recapture the celebrity status of her youth personality in The Substance. The body-horror satire premiered earlier this year att the Cannes Film Festival to a lot of buzz, and follows Moore’s character, Elisabeth Sparkle, as she undergoes a blackmarket procedure that produces a younger version of herself (played by Margaret Qualley). You can probably guess how that goes.
"The Assessment" (Fleur Fortuné)
Imagined futures, climate change and environmental sci-fi are recurring themes throughout the TIFF selection this year and The Assessment is Paris-based filmmaker Fleur Fortuné’s contribution to the conversation. In her feature debut, Fortuné presents a world destroyed by climate change, one in which the government maintains strict control over resources, including the right to procreate. Elizabeth Olsen and Himesh Patel play a nervous but hopeful couple who must pass an invasive week-long interview conducted by Alicia Vikander before they are granted permission to conceive.
"Sweet Angel Baby" (Melanie Oates)
Set in an insular fishing village in Newfoundland, Sweet Angel Baby centres on Eliza, a beloved member of the community whose life is upturned when her secret social media persona is exposed. St John’s writer/director and costume designer Melanie Oates explores sexuality, belonging and conformity in small towns while paying homage to the stunning landscape of the province in which the movie is filmed.
"Rez Ball" (Sydney Freeland)
In Rez Ball, Navajo filmmaker Sydney Freeland tells the story of the Chuska Warriors basketball team and their quest for championship glory following a series of devastating losses. Executive produced by LeBron James and co-written by Reservation Dogs creator Sterlin Harjo, the film is equal parts inspiring sports movie and sensitive cultural portrait.
"Paying For It" (Sook-Yin Lee)
With Paying For It, Vancouver-born writer, actor and director Sook-Yin Lee adapts her former partner Chester Brown’s 2011 autobiographical graphic novel that is. about the dissolution of their relationship. Set in Toronto at the turn of the millennium, Lee’s alter ego Sonny asks to redefine the terms of her relationship with Chester, who is on a different path of sexual liberation.
"On Becoming a Guinea Fowl" (Rungano Nyoni)
Rungano Nyoni’s long awaited follow-up to the BAFTA award winning film, I Am Not a Witch, is On Becoming a Guinea Fowl, which will have its North American premiere at TIFF. The celebrated Zambian-Welsh writer/director incorporates surrealism into this exploration of family dynamics, secrets and collective denial in this film that takes place during the funeral rites following the death of an uncle.
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