So no one's saying she did—but just in case there are people who doubted that Gaga could both dance, catch footballs and hit every note flawlessly at the same time, we have the isolated vocal track of her Super Bowl performance to prove that she definitely was doing all her own vocal stunts.
As you'll hear in the track below—which strips back all the instrumentation/crowd cheering etc, and features only what was being directly sung into her own mike by Mother Monster herself—Gaga was most certainly not lip syncing, something that sometimes happens at these big live performances (coughMariahcough).
Plus, see how all your other favourite celebs celebrated the mushiest day of the year.
Barack and Michelle Obama
John Legend and Chrissy Teigen
Kim Kardashian West and Kayne West
Jenna Dewan Tatum
Sarah Michelle Gellar
Here are 11 seconds of one of my happiest days. Driving in the '67 Lincoln to the courthouse, listening to #brettdennen on a mix My Valentine made especially for this particular ride. I'm filled with excitement and nervous energy. And then he floors it- just to make me giggle. I love you with my whole heart, @daxshepard - for everything you are and all that you have taught me. Happy Valentine's day. #happyvalentinesday #valentines #valentinesday
Chance the Rapper
Hana Tajima for UNIQLO spring 2017 Image by: UNIQLO
Designed in collaboration with Hana Tajima, UNIQLO’s inclusive offering launches on February 24.
Hana Tajima, a multi-disciplinary artist and designer, has been producing a line of modest wear with UNIQLO since 2015. This season, the collection arrives at UNIQLO stores in Canada for the first time. The line includes drapey tunics with ties to change the fit, crisp collarless linen blouses and softly pleated trousers in a pleasing palette of navy, white, rust and olive green along with a range of hijabs and abayas. It’s all part of the Japanese basics purveyor’s “Life Wear” concept, which promises clothing for all. Indeed, the lavender duster coat and striped cropped trousers could seamlessly blend into anyone’s wardrobe—something Tajima says is intentional. Here’s how New York-based, London-raised Tajima is pushing back against homogeny in fashion through her empowering designs.
What’s your design process like?
"I design by draping on a form, a lot of the time I don’t know what the collection is going to be before I start. The draping process helps define it. A lot of asymmetry was coming out in my work, which accentuates the feeling of movement in these pieces."
How has the line evolved since it began?
"We started off just in South East Asia, and for those countries it was a about bringing a different aesthetic to mainstream fashion. Because we were dealing with a hotter climate we were using really lightweight fabrics. The more we introduced the collection to other places around the world, the more we had to differentiate between seasons. The essence of it stayed the same, but the colours and fabrics have been adapted. The colours that sell the best in South East Asia very vibrant pinks and yellows, but here of course it’s black, navy and white. It’s really interesting to see those dynamics."
What is it like to work with UNIQLO? Are you flying to Tokyo a lot?
"Oh, there’s a lot of travel to Tokyo, which on a personal level is really fantastic. They’re so dedicated to the perfection of an item and my approach has always been to refine and redefine what a shirt means, or what an individual item means."
How does it feel to see a global brand take on this line?
"It’s really fantastic. I think it’s not just for Muslim women but for any sort of minority. Having a voice on a global platform is really inspiring and empowering. It’s indicative of a push back against a homogenous identity and what it means to be a woman."
Was there a need that you heard women express that wasn’t being met before this collection?
"There’s definitely a correlation between the androgynous look and modest wear. And I think that where they intersect is this idea of redefining femininity. There are demands from both sides. From women who want to wear modest clothing for either religious or cultural reasons to women who want to redefine what it means to be feminine. For me, the process ends but the design gets transferred to the person wearing it. I want to provide details and different ways to wear a piece to allow people to interpret these designs in their own way."
Hana Tajima for UNIQLO
When you’re talking to someone who is perhaps not the core customer for this line, are there misconceptions about modest wear?
"The term modest wear as a concept is tied to a certain cultural background. But it’s opening up. The name itself is sort of awkward and there’s still judgement about the person wearing it. But I think that the more we open that term up to mean something more inclusive, the better it’s going to be. And weirdly, fashion is considered something less weighty..."
"Exactly. But it allows people to connect because it gives us something to relate to. It lets people drop their guard and really connect with each other on a human level."
Hana Tajima for UNIQLO
Céline spring 2017 RTW Image by: Imaxtree
One writer's take on the oft-misunderstood shoe that is “safe but not sensible.”
Fashion watchers say that the kitten heel is ubiquitous this spring, but is it? Since the kitten heel is neither as flat as a crepe nor as high as a flagpole, much gets dumped into its medium-sized category that isn’t kitten, or, really, even feline, at all. In fact, it’s easier to say what a kitten heel isn’t than what it is.
It is certainly not a stiletto. Neither is it square, squat, sturdy or stacked, even if it’s medium height. What makes the Dior slingback with logo strap, Prada sandal, pointy Acne Studios slingback, Loewe moccasin and Céline babushka slipper kitteny is the indentation right at the top of the heel, called the “seat.” It makes the heel look like a comma. Sometimes, it’s so bent in that it looks like a cartoon shoe that has skidded to a screeching halt. And although the heel is shaped like an hourglass, it is imperatively skinny because a fat hourglass-shaped heel is for high kicks and tap dancing. “They give your leg a pretty silhouette,” says my friend Sabine. “And if you have full calves, kitten heels make them taper away and disappear.”
Christian Dior spring 2017 RTW (Imaxtree.com)
Kittens are great in-between shoes. They are safe but not sensible, dressy but not ditzy, stylish but not slavish. Which is why they were the heel of choice for Audrey Hepburn and Jackie Kennedy (and still are for Michelle Obama).
But what do we really think about the kitten heel? It isn’t a heel that inspires heated passion. By nature a compromise shoe, the kitten emerged in the 1950s as a “training” heel for younger girls. Designed for one’s first tentative steps in what was then the high-speed foot race for husbands and high heels, kittens are cute, tasteful, elegant and demure. They are the Baby Duck that comes before champagne. They are the quinceañera of footwear.
Givenchy spring 2017 RTW (Imaxtree.com)
That said, cats have their claws and so do kittens. When the heel is spiky and the toe pointy, like last fall’s white Balenciaga bootie, it can be an interesting, aggressive shoe. Diana Rigg wore a black leather bodysuit and kitten booties as she kung-fu-chopped villains in the ’60s TV show The Avengers. Sharp kitten heels, torn fishnets, bird’s-nest pompadours and gobs of black eyeliner was how punk icons Exene Cervenka, Siouxsie Sioux and PJ Harvey rolled in the 1980s and early 1990s. These were not women of moderate taste, as the kitten heel is wont to express. This shows that it’s a shoe with plenty of wiggle room for personality and, possibly, even rebellion—a shoe exactly suited to our times.