Pippa Middleton at a British Heart Foundation even in February 2016.
Most importantly, what designer is Princess Charlotte wearing.
Taking a cue from her duchess big sis Kate, Pippa Middleton is keeping all the details of her upcoming wedding to hedge fund manager James Matthews on the DL.
But that hasn't prevented EVERYONE from weighing in on who they think will design the dress for the royal wedding 2.0. Giles Deacon emerged as number one in November when he was spotted leaving the Pipster's London house carrying a black garment bag (!!). Now, he's finally, kinda, sorta addressed the rumours.
Pippa Middleton at the royal wedding in 2011. Image by: Getty
"I can never really comment on rumours. Until things are confirmed it's just rumours," he told Hello! Fashion. "I think they've both got divine style. They're thoroughly modern girls promoting British brands and looking fantastic."
Pippa's wedding is reportedly on May 20.
It only took three years, but finally we're getting some intel on how actor / mere mortal George Clooney met human rights lawyer / bridal pantsuit wearer Amal Alamuddin.
Since the announcement of their impending twins (congrats again guys!) the informational floodgates on the couple have opened, which is why we're getting this gem of a "meet cute" story straight from the lips of George himself.
As told to David Letterman, the two met when Amal visited Lake Como as a friend of a friend. George "called and wrote" for months before Amal would go out with him, which you know, seems about right.
There's a dramatic moment around the middle of Rosamund Pike's new film, A United Kingdom: Pike, playing a British woman who falls in love with an African king (based on a true story!), faints in the middle of a dusty road, collapsing after driving through the heat while heavily pregnant. Her husband, thanks to the machinations of a racist government determined to end their interracial union, is stranded on the other side of the world, and she's about to give birth to their first child, while knowing she might never see her man again. Suffice to say: It's a tense, emotional scene in a movie that's not lacking in heart-wrenching, gut-punching moments.
But when Rosamund lets us in on a little secret about how that scene was filmed, well...it certainly changes how you'll re-watch it.
"I had to fall down," explains Pike, over the phone from her London home. "We were in a terrible rush, and there weren't any knee pads or elbow protectors. Since nobody else was coming up with anything else, my dresser and I came up with the best possible use for panty liners with wings—I put them all over my body! I finally understand their purpose."
Here are four other surprising things we learned from the 38 year old actress about her new film, in theatres today.
Rosamund Pike as Ruth Williams, a real life Londoner who married the King of Botswana (David Oyelowo).
1. They shot in the exact house that the real life couple the movie is based on lived in
"We shot on location in Botswana, and we used the first house they lived in. The feeling inside there is pretty powerful. There was something magical in there. It gave me goosebumps at the time. It's rare that something like that happens, but it's great when it does."
2. Towards the end of the film, Rosamund's character steps out of her house to find the women of her husband's kingdom singing for her. Turns out, that was entirely spontaneous:
"When I came out of the house and they were singing like that, it was the most mind-blowing thing that happened to me on set. I just dropped because they were not asked to sing that song, and yet they were caught up in the moment enough to be playing the moment for real, singing that song about how the king's wife is bright like the morning star."
3. She finally got to work with long-time pal David Oyelowo, who plays her husband
"His laugh is the best thing. It's the most generous, big-hearted, sexy thing. I mean, it’s amazing. We’ve been friends for some time and I never knew we’d have this magical chemistry. I mean we could both play the part, but I didn’t know we’d find something so magical, which I think comes from our passion for the project."
4. Rosamund took away a very valuable personal lesson from making A United Kingdom
"Just being around the director Amma Asante and David, they’re both political, they’re both passionate about the place of people of colour in the film industry and just being around that dialogue all the time was very inspiring to me."
Lady Gaga performs at Super Bowl 51 in 2017. Image by: Getty
Lady Gaga's makeup was inspired by... Lady Gaga.
About 111 million people watched the Super Bowl this year in America. I'm not American, and I don't like football, but I did tune in for the halftime performance by Lady Gaga, and can safely presume I was not the only one to do so. The makeup artist responsible for crafting the singer's look – which, in addition to being watched in HD by millions, needed to hold up through an aerial show – was Marc Jacobs Beauty ambassador Sarah Tanno. In an exclusive Canadian interview, she tells us about the process for deciding on the makeup direction, what it was like backstage and the exact products she used beneath that crystal mask.
We wanted everything to feel of the moment yet timeless — we have been dreaming of this moment for years. My inspiration for Gaga’s makeup look was…Gaga. I looked at every era from her career and created something that felt iconic to Gaga and just elevated it into something new. I wanted her to be able to look back at this 10 years from now and have it feel timeless. Also, after seeing the custom embellished Atelier Versace looks, I focused on a colour palette that would complement the iridescent and pearly pieces.
We're usually on the same page. It was a casual conversation that started with agreeing we wanted a red lip. Next I just started trying things on her in rehearsals to see how it looked on stage and with her choreography. Sometimes the way she moves can inspire me to go in a different direction.
It was during a rehearsal that I first shared my vision with Gaga. I started doing her makeup as I usually do, and I wanted to do the Super Bowl look I had in my mind, but I didn’t tell her. But as soon as I started, she totally knew! So we discussed and tweaked the look from there.
For the Swarovski crystal design adorning Gaga’s eyes, I worked with a friend at Face Lace in London. We collaborate often. It was a really wild process to determine the shape, where to place it and most importantly what tape to adhere it with that wouldn’t ruin the integrity of the makeup underneath. It was made with a decal made out of crystals that Gaga was able to peel off quickly and gracefully go on with the show.
For the eyes, I applied a shimmery pewter cream shadow using the Marc Jacobs Beauty Twinkle Pop Stick Eyeshadow as a base, then blended a vibrant lavender liner from the Highliner Eyeliner collection (in Violet Femme 82) and a range of purple shades from the Style Eye Con No 7 Plush Eyeshadow Palette to make her lids really stand out. I also layered two black eyeliners (Marc Jacobs Beauty Magic Marc’er Precision Pen Waterproof Liquid Eyeliner and the Highliner Gel Eye Crayon in Blacquer) to ensure the winged liner was bold and budge-proof. I also used two mascaras, Velvet Noir Mascara, and Feather Noir Mascara, to create insane amounts of volume and drama. And voila! The eyes aren’t going anywhere, even after ripping a rhinestone mask off mid-performance.
Gaga and I figured out how to do quick change make-up a while ago. We love a challenge. There’s nothing like a quick switch in the middle of the world’s biggest stage!
It’s a different process from red carpet and television. It takes several calculated steps to create a look for stage that’s seamless and weightless — plus budge-and-sweat-proof. Gaga and I joked as I was doing her make-up that it’s a “million layers!”
It was very zen for the most part. Gaga had her best friends there as we got glammed and we just hung out and watched the game!