Travel
Mar 11, 2016

ELLE World: Hidden gems

By: Christina Reynolds

Geoffrey Ross Author: Elle Canada Credits: Geoffrey Ross

Travel
Mar 11, 2016

ELLE World: Hidden gems

By: Christina Reynolds

Thanks to a recent trip to Afghanistan, Toronto-based jewellery designer Kara Hamilton has deepened her understanding of “handmade.” Her previous starting point with “raw materials” was machine-made wire. But in August, she visited Kabul’s Turquoise Mountain, a trust founded in 2006 to preserve and teach traditional Afghan crafts.

While working with recent graduates of the non-profit’s Institute for Afghan Arts and Architecture, she learned that the jewellery artisans “hand-pull” metal wires and then crimp them into intricate chains – “they physically yank the metal through a tiny hole to reach a desired thickness and then pull it for miles and miles,” says Hamilton. But even before that, the artisans melt down the raw metals using alchemy techniques. “Because of variations in the artisans’ source ma­terials, their bronze is very gold in col­our,” she says of the Afghan metal mix used for the resulting collaboration.

Hedvig Alexander, of Toronto-based Far & Wide Collective, brought the designer and the artisans together. As the founder of the two-and-a-half-year-old social enterprise, she thought that the project was a perfect way to further her fair-trade business’ objective of connecting artisans in emerging economies to the inter­national market. (All Far & Wide rev­enues are re­invested into these efforts.)

“We are committed to working with artisans who don’t yet have a market to sell their goods,” says Alexander of the four small businesses that she chose to work on this col­lection. Each is made up of recent Turquoise Mountain Institute graduates operating out of the institute’s business incubator – and she has given three of the four businesses their inaug­ural order.

Far & Wide already carries lattice-wood trays and jewellery by Turquoise Mountain – Alexander ran the organization for two years during the seven years she lived in Afghanistan – but this is the first time it has undertaken a designed-from-scratch jewellery collaboration.

MUST READ: ELLE World: Oliberté is on a quest for happy feet and happy workers

“It’s hard for a relatively new jewel­ler to make a prototype for a complicated piece, and there has been a learning curve on our side too,” says Alexander, who had to wait through several rounds of designs before she could price the 12-item collection.

Hamilton, likewise, had to learn how to work with lapis lazuli, a semi-precious stone that is mined in Afghanistan. The artisans advised her that the ultramarine stones can break easily if they are not secured in a metal setting, so they adjusted the designs. And the artisans, who Hamilton says were crafting pieces so precisely that they almost looked machine made, got a lesson in the art of perfectly imperfect design.

“There were a couple of times I intervened in the hand-making process and said ‘Wait, stop’ because I wanted to see their hand touches in the pieces,” she says. “We had to find a balance between consist­ency and an understanding that what makes a piece unique is seeing someone’s fingerprints in it.”

This was the first time three of the four businesses had ever worked with an outside designer, says Maryam Omar, Turquoise Mountain’s sales and design officer, who acts as a liaison for international designers and clients. Omar, who returned to Kabul in 2012 after studying at the London College of Fashion, helps every­one communicate­, literally and fig­uratively translating design sketches and assessing quality control. “There were some  misinterpretations as we worked,” she tells me via a Skype call. “But it was a very good learning experience to make prototypes.”

MUST READ: ELLE World: Coming home to South Sudan

“It is very challenging to work in Afghanistan,” continues Omar, citing outside factors like limited inter­national shipping options as just one example. “These orders have provided not only jobs for these artisans but also great training for these very young businesses where many [of the owners and employees] are women. Jewellery making is one of the sectors that women feel comfortable working in as it is culturally acceptable.”

Back in Toronto, Hamilton now thinks of the project and her trip to Afghanistan as a “justification for why I do what I do,” she says. “I know instinctively that craft and art and design are essential parts of life. But that became so much clearer to me when I was there – seeing that there is this currency to beauty, really.”

This is something that Alexander fundamentally understands too. Earlier this year, she launched artisantoolkit.org, a free illustrated business-training manual to help Afghan artisans. And she’s already planning Far & Wide’s next collab with Turquoise Mountain and another Canadian jewellery designer, Jenny Bird.

“It’s so interesting, because Kara’s initial drawings are so far from what we ended up with,” says Alexander. “Afghanistan has a cool factor to it and a beauty that you don’t necessarily see. The final collection has a bit of a rough edge, but that reflects what it is—the design conversation throughout the process took it where it was supposed to go."

THE COLLECTION

The Kara Hamilton and Far & Wide Collective Artisan Jewellery Collection’s 12 bronze and lapis-lazuli pieces (some also have bits of sterling silver) range in price from $50 for the bronze and lapis-lazuli rings to $310 for the chain necklace with dangle leaves. (The solid lapis-lazuli ring did not go into production.)

Slideshow

prev next 1 of 6

Far & Wide Collective collaboration

Sounds right

For the Kara Hamilton for Far & Wide Collective Artisan Jewellery Collection's long necklace, Hamilton took inspiration from jewllery worn by Afghan nomads. "I love the very fine clinking sound that traditional pieces make, so we hammered our pieces thin to create a very light 'twinkle' sound too." READ MORE: ELLE World: Fast fashion times

By: Christina Reynolds Source: Geoffrey Ross Credits: ELLE Canada

Far & Wide Collective collaboration

Studio session

Designer Kara Hamilton (centre) with Turquoise Mountain business development officer Ramzia Sarwari (left) and artisan Nasrin Alimi in the Gowharshad jewellery workshop in Kabul, Afghanistan. Gowharshad, which means "joyful jewel," is one of 30 businesses Turquoise Mountain helps support by providing space, electricity and advice. READ MORE: ELLE World: A Canadian artist sheds light on global issues

By: Christina Reynolds Source: Courtesy Far & Wide Collective Credits: ELLE Canada

Far & Wide Collective collaboration

Details, details

Turquoise Mountain business development officer Ramzia Sarwari (right) works with designer Kara Hamilton on the technical specifics for the collection.   READ MORE: ELLE World: Escaping human trafficking

By: Christina Reynolds Source: Courtesy Far & Wide Collective Credits: ELLE Canada

Far & Wide Collective collaboration

Design evolution

This is one of Kara Hamilton's early sketches for the lapis-lazuli plate necklace. "We made a significant number of simplifications to the designs as we went along – it was really a hands-on collaboration," says Hamilton, who regularly Skyped and emailed with the Turquoise Mountain artisans following her visit.   READ MORE: ELLE World: Meet 8 Canadian documentary filmmakers teling stories from around the world

By: Christina Reynolds Source: Kara Hamilton Credits: ELLE Canada

Far & Wide Collective collaboration

Hand work

Artisan Nazila Jabari in her Gowharshad jewellery workshop in Kabul, where she employs Alimi and three other female artisans. Her business produces the chokers, rings and some bracelets for this collection. READ MORE: ELLE World: Sewing, culture and traditions in Nunavut

By: Christina Reynolds Source: Courtesy Far & Wide Collective Credits: ELLE Canada

Far & Wide Collective collaboration

The collection

The Kara Hamilton for Far & Wide Collective Artisan Jewellery Collection's 12 bronze and lapis-lazuli pieces (some also have bits of sterling silver) range in price from $50 for the bronze and lapis-lazuli rings to $310 for the chain necklace with the dangle leaves. (The solid lapis-lazuli rings did not go into production.)   READ MORE: ELLE World: Elevating artisans

By: Christina Reynolds Source: Geoffrey Ross Credits: ELLE Canada


READ MORE:
ELLE World Roundup
ELLE World: Elevating artisans
ELLE World: A closer look at the clothing industry

Share X
Travel

ELLE World: Hidden gems