Amber Tamblyn and David Cross at the PEN Center USA's 26th Annual Literary Awards Festival in September 2016. Image by: Getty
And shared her hilarious fake name.
It's a girl for Amber Tamblyn and David Cross.
The couple – who married in 2012 – posted a video of their baby's foot on Amber's Instagram with the caption. "David and I are proud to announce the birth of our daughter, Dauphinoise Petunia Brittany Scheherazade Von Funkinstein Mustard Witch RBG Cross Tamblyn-Bey jr."
The launch tile for Instagram's latest update.
Instagram introduces a new posting option that will transform the way you curate your feed.
Instagram just announced its latest update, and it’s a big one. You’ll soon be able to share multiple photos and videos in a single post. A post can now act as a mini-album that documents anything from a party to a vacation, with users scrolling through to see it unfold.
How is this different from Instagram Stories, you ask? Unlike Stories, which disappear after 24 hours, these posts will remain on your feed.
Some might see this as the answer to repetitive posts (no more uploading the umpteenth party pic with the caption “Sorry, last one”) as well as a way to curate posts around a theme (just imagine a step-by-step makeup tutorial from Kylie Jenner in one post.)
A profile with Instagram's latest feature (note the new icon on the first post)
A new icon will appear which will allow you to select up to 10 photos and videos for a single post. You can filter and edit photos in a batch, or individually, as well as change the order of photos. Captions, location likes and comments apply to all the photos and videos in a post, but you’ll be able to tag friends individually. You won’t be able to remove individual photos or videos from within the post once it’s live.
Instagram's new multiple selection option
The update rolls out today for iPhone and Android and will go global within a few weeks.
The Sid Neigum presentation during RE\SET in Toronto. Image by: George Pimentel
Did RE\SET, Toronto’s new designer showcase, shake up the city’s fashion scene?
For the past few months, Toronto has been settling into a post-Fashion Week era. After global management company IMG (which also oversees New York, Berlin and Sydney fashion weeks) pulled out of staging the twice-annual event July of last year, and the industry let out a collective “what now?” shrug, we’ve begun to rebuild — and hopefully reinvent. Although the city lost its international backer, the pool of designers remained, as did a supportive community ready to attend whatever new iteration of fashion week came next.
The aptly named RE\SET, started by Toronto-based production agency The Collections and the Fashion Design Council of Canada, was the first event to take up the void this season (the newly formed Toronto Women’s Fashion Week and the second instalment of Yorkdale’s FashionCAN event are coming up later this month).
RE\SET was not a traditional fashion week – nor did it set out to be. The two-day event, which took over a West End concert venue, The Great Hall, featured eight shows by names like Sid Neigum, Beaufille and WRKDEPT. In addition to these presentations, up-and-comers like jewellery brand Dolorous, denim brand Triarchy and unisex designer S.P. Badu showed off their wares tradeshow-style, which attendees checked out between shows. Many designers cited their established relationship with The Collection’s founder Dwayne Kennedy as a reason for partaking.
On the first day it became clear that runway shows are no longer the norm – most designers opted for static presentations. “You can see the clothing up close, and I’d like to think you can walk up and touch it,” said Toronto-based womenswear designer Sid Neigum, who used the event as a platform to show his spring 2017 collection, which hits stores now. “It makes sense [for me] to show an in-season concept,” says Neigum, “Toronto Fashion Week was always more of a consumer event because we didn’t have a lot of international press.”
Designers Chloe and Parris Gordon of Beaufille pose with their models. Image by: George Pimentel
It’s worth noting that Neigum and Beaufille, arguably the biggest names on RE\SET’s lineup, opted to re-show spring 2017 collections we’ve technically already seen. Neigum showed his collection at LFW last fall and returns there this month for the fall/winter 2017 shows. Beaufille, run by sisters Chloe and Parris Gordon, showcased its spring collection at New York Fashion Week in September 2016 and is there for the fall shows this week. Although the Beaufille duo continues to manufacture in Toronto, showing during NYFW has “helped get a lot of international traction and retailers and press,” says Parris Gordon.
One thing the press and consumers have in common? We look to fashion for the next wave, and up-and-coming brand Markoo is one to watch. Designers Tania Martins and Moona Koochek presented their fall 2017 collection at RE\SET, their first showing since launching the brand in 2013. The look was a high-low mash up of luxe materials like satin and leather and streetwise silhouettes. “We went for an inside-out vibe, employing quilting and things that you would see on the inside of garments on the outside,” says Martins. When asked why they chose to show at RE\SET, they praised the intimate nature of the event and the timing. Crucially and unlike Toronto Fashion Week, RE\SET took place “ahead of schedule,” allowing buyers time to pick up collections to carry in stores for the following season—a hope for fledgling brands like Markoo, who opted to show a fall collection instead of taking a see-now, buy-now approach.
The Markoo presentation at RE\SET. Image by: George Pimentel
For Vancouver denim label Triarchy, who displayed their collection in the showroom, the event allowed the founders tell a story on their own terms. “A lot of people don’t know that our clothes are sustainable and low-water [consuming] and that’s something we were able to tell everyone here,” says co-founder Ania Taubenfligel. Designer Hilary MacMillan, who went against the grain with a runway show for her retro-feminine fall 2017 collection, also pointed out that entry fees are lower compared to the “well-oiled machine” that was Toronto Fashion Week.
For Canadian designers, international success is still very much contingent on leaving the proverbial nest (Tanya Taylor and Kaelen are examples), so time will tell if RE\SET and its ilk are the way of the future, and, perhaps more importantly, if they are what local designers need to grow their presence locally and abroad.
Tinashe Musara of Montreal-based artsy streetwear brand WRKDEPT, the final show of RE\SET, also puts the responsibility on retailers. “Canadian [shoppers] are still obsessed with [foreign] brands,” he says. “In cities like Copenhagen they support their own brands because they are well represented in stores.” “They have a clear point of view and it’s important to push that so that Toronto can be seen as an innovative city that’s moving forward.”
The WORKDEPT presentation during RE\SET. Image by: George Pimentel
But, in an ever-changing fashion landscape where see-now, buy-now is the watchword and L.A. is the promise land (brands from Rachel Comey to Tommy Hilfiger have opted to show there this season) cities need to take an individual approach instead of attempting to play catch-up with the Big Four. Take Sydney, which switched to showing resort collections in 2014, thus aligning local designers to the international buying schedule. Berlin, meanwhile, kicked of its Mode Salon project a few seasons ago, which sees dozens of designers take over a single space, with press, buyers and influencers dropping in at leisure during the city's fashion week. The pop-in concept maintains a more intimate show atmosphere, but alleviates crowding – something that was hard not to notice at RE\SET.
As I waited to get into Beaufille’s presentation, the crowd clad in Vetements long sleeves and furry toppers (it’s February in Toronto, after all) was packed so tight that I heard someone mutter “this better be Bruce Springsteen.” Then I thought of Triarchy’s Ania Taubenfligel, who offered a different take: “the ice storm didn’t keep anyone away. That should tell you something.”
With files from Elaine Jyll Regio
Image by: Kiera Spronk
The designer told us about her unexpected new collab, her design process and what’s next for her brand.
Hayley Elsaesser’s designs scream "fun." Walk into her Queen West boutique on a cold winter day and you’ll instantly be transported to a much brighter, happier place. It’s not surprising that her cool, colourful aesthetic draws superstars like Miley Cyrus and Katy Perry to her clothing. So when Taco Bell reached out to the designer to create a one-of-a-kind Taco coat, saying yes was a no-brainer.
Miley Cyrus in a custom look by Hayley Elsaesser. (Getty Images)
“I’m always working with the purpose to produce a collection,” says Elsaesser. “So it was really fun for me to work on something that would be purely creative, something that I could just have fun with.”
The designer told us a little more about the unisex taco printed coat (which will be available for one lucky winner in a social media giveaway), and offered a sneak peek of what she’s working on right now.
“There are a lot of people who are very passionate about Taco Bell. If you’re a super-fan taco lover, it’s the perfect coat for you. It’s a winter jacket, the fabric itself is meant to be waterproof. If you’re eating a taco and you spill, it’s waterproof. It has an open-ended zipper, it has insulated pockets, so you can keep your tacos and your drinks warm, or just keep your phone and your keys in it. So it was meant to be a dual-purpose coat—for a taco super-fan, and as an everyday streetwear coat.”
“This was a fun breath of fresh air to work on. I love doing collaborations because it’s an extra challenge for me—to take something that I’ve never worked on and put my own spin on it. I can design prints in my sleep, so this was something outside of my everyday norm.”
“First I start thinking about an idea that I want to work on, something that I’m intrigued by at that particular time. For example, for the last collection I had the concept of My Little Pony, so that was about looking back and nostalgia. I have one set idea that I start building around, and then from there I develop a bunch of prints, and it’s like a puzzle for me, figuring out how to put it all together. Prints can be kind of crazy, so you have to be able to make them cohesive.”
“I’ve just done a presentation in New York, which is something I’ve never done before, and it’s really fun to create an atmosphere. It’s something that I wasn’t really able to do at Toronto Fashion Week in the past. I do love the runway, because I feel like it’s more exciting, it’s revealing one look at a time, so it’s a spectacle. And then for a presentation it's a little different—everything’s out there and you can have a closer look.”
“Designing takes a lot out of me. It’s just working non-stop and it’s really emotionally intense. I put a lot of myself and my feelings into my prints. So after I do a collection, I just need to take a little bit of a breather. There’s still work to be done—I’m doing a tradeshow next week. I’m just taking a break from the designing part so I can be refreshed when I start my new collection.”
“Footwear is a dream of mine. I love shoes in a huge way, but I haven’t had that opportunity yet. I’m currently working with a makeup brand, which is really, really exciting for me. I like to keep busy and keep on challenging myself creatively, and I love exploring all the different fields of what I’m interested in.”