How one Canadian retailer is breaking the mould.
At a time when Canadian luxury players are facing unprecedented competition in an increasingly dog-eat-dog market, one retailer has managed to avoid the conversation altogether. For Montreal-based Ssense – which launched in 2003 as a fashion boutique in the Old Port and is now a global e-commerce force—it’s business as usual. But then again, Ssense has always operated outside the comfy confines of the traditional fashion sphere. How? With unconventional buys, strong connections to art, music and creativity and a sophisticated blurring of streetwear and high fashion long before Yeezy and Vetements made it de rigueur. Ssense’s success has been built on doing things entirely its own way.
The company started out as a physical storefront 14 years ago, and COO Bassel Atallah, who founded it with his two brothers, Rami and Firas, says they had their eyes on the digital prize from day one. “It was the early days of the Web, and Rami saw a big opportunity in luxury e-commerce,” says Atallah. “Back then, brands were very reluctant to sell online, so we opened the store to make them feel a little more comfortable with the concept. Then, in 2006, we launched the website. We’d all finished our studies by then and had more time on our hands.”
That’s right – finished their studies. CFO Firas, the eldest, was just 25 years old at the time, CEO Rami, 24, and Bassel, 21. In other words: They’re Millennials—a fact that, combined with their blatant fashion-outsider status (their backgrounds are in banking, computer engineering and mechanical engineering), might explain their unorthodox approach. “We cater to a Millennial audience because we are in that age group ourselves,” says Atallah. According to Ssense, almost 80 percent of its customers are between 18 and 34—an astonishing stat for a luxury retailer, given that, among high-end brands, luring Millennials has become the golden ticket no one knows how to cash. It’s a huge win that Atallah attributes to an internal culture of innovation and outside-the-box thinking. “If you come to our offices, you’ll see that the average age of our employees is in that bracket as well,” he says. “Millennials are hyper-connected; they live in the present, and they tend to make the trends instead of follow them—there’s a real energy to that.” Let’s state the obvious: Building a luxury business around selling $1,500 hoodies and $2,000 sneakers to 22-year-olds is risky, to say the least. But given that Ssense now employs over 300 full-time staffers, receives 32 million page views a month and has had 82 percent compound annual sales growth since its first year, it looks like it’s working.
Atallah insists they didn’t initially set out to challenge the status quo or upend the system. “We were young and didn’t have a lot of experience, so we naturally took a more analytical, engineering approach,” he says. “It was a lot of trial and error, more by need than by intention.”
This year will see Ssense continue to swim against the retail current. The company is in the process of constructing a five-storey David Chipperfield-designed flagship store in Montreal. Set to open later this year, it will be not only eight times larger than its original shop but also, according to Atallah, fully “digitally integrated.” When pushed for more information, he says that with the rise of digital, “the concept of physical retail is undergoing its biggest transformation in history.” He also adds that whenever the concept of merging online and offline is introduced, “people tend to expect a ‘store of the future.’ We are rethinking the role of the physical space as a means to crystallize our brand vision in a tangible way.”
The decision to invest in bricks and mortar in an increasingly digital culture may seem, again, counterintuitive, but that’s what we’ve come to expect from Ssense. “Almost 90 percent of sales in the luxury industry still happen off-line,” says Atallah, “so there is definitely a huge opportunity there, not only financially but also in terms of making another connection with our customer.” And as a self-admitted “Canadian retailer with a global mindset,” taking that IRL connection beyond Montreal via physical flagships in other cities will be the next step in Ssense’s boundary-busting vision. “We want to continue to build Ssense into the best company it can possibly be—to achieve its full potential,” he says. “We’re growing at a fast pace, and there’s a lot going on, but there’s plenty to be excited about in 2017.”
Image by: Instagram.com/toneitup
Your summer-prep jump-start.
Looking to see results a few weeks before you’re beachside? Start now, as there is no joy in the 24-hour cleanse or Kourt/Khloé K-esque training sessions. (The Snapchatting alone would be exhausting.) Make compound exercises (those that involve two muscle groups at once) your go-to. “These burn extra calories while sculpting your legs, booty, shoulders, core, arms and back,” says Katrina Scott, one half (with partner Karena Dawn) of the extremely fit duo behind the fitness website and program Tone It Up. Do three to four circuits three times a week and you’ll see major results in a few months. Use a five-pound weight and shift up to eight once you’re feeling strong.
Tones butt, hamstrings and upper back.
Begin by holding a dumbbell in each hand and maintaining a slight bend at the knees and elbows. Hinge forward from the hip as you lift your right leg back and open your arms out to the sides. Engage your core to help maintain your balance and keep your spine neutral. Slowly return to start. Complete three sets of 15 reps on each side, alternating with each rep.
Tones core, shoulders, biceps and upper back.
Begin in a plank position with hands directly below your shoulders. Grab a dumbbell with one hand and pull it up by your chest, keeping your elbow tucked by your side. Slowly lower your arm. Complete three sets of 15 reps and then switch sides.
Tones lower abs with a cardio boost.
Begin in a standing position with your knees bent. Jump high into the air, bringing your knees up to meet your elbows. Land softly on your feet. Complete three sets of 15 reps.
Emma Thompson had one of the more heart-wrenching story lines in the original Love Actually, and in a way, that's connected to why she says she won't be participating in the Christmas classic's upcoming sequel.
You'll recall that Thompson played a woman who finds out that her husband is being unfaithful right around the holidays. That character is played by the late Alan Rickman, and it's because of him that Thompson says it just doesn't feel right to reprise her role.
"It's too soon," says the British actress, who says it was a joint decision between her and the show's writer, Richard Curtis. "[He] wrote to me and said, ‘Darling, we can’t write anything for you because of Alan,’ and I said, ‘No, of course, it would be sad, too sad.’"
Thompson notes that while the sequel (really a short film) is for a British charity called comic relief, "...there isn’t much comic relief in the loss of our dear friend, really, only just over a year ago".
The short will air on British television in March.
Here's a comforting thought: There's very little chance you will do anything as high key cringeworthy as what Warren Beatty did last night at the Oscars.
Unless you were planning on announcing the wrong winner for Best Picture, too?
The moment—immediately pounced upon as #OscarGate—still seems a bit surreal. At the time, while still on stage, Warren explained that he opened up the envelope to find a card that read "Emma Stone, Lalaland". Beatty, clearly feeling something was wrong, can be seen checking in the envelope for another card, before consulting co-presenter Faye Dunaway, who just went for it and announced: "Lala Land!".
Cue everyone in that case rushing the stage, celebrating, and then a man coming up to the microphone saying: "Moonlight has won best picture. This is not a joke."
In the hours that followed, we're getting further details on how something like that happened. According to PWC, the accounting firm that handles the maintenance of the secrecy of the winners, released a statement that basically said: We messed up, he was given the wrong envelope, and we're launching an investigation to see how that happened.
And while, yes, thinking you won best picture and then having it taken from you literally while you're accepting the award sucks, LaLaland did have an otherwise succesful night: Emma Stone won best actress and Damien Chazell became the youngest best director winner at 32.